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Willard's "Rebirth" Report: The Naked Truth About NTD's Decline

Posted by: Staff Writer on Aug. 6, 2013 | Comments
"Break a leg" is the long-uttered catchphrase of thespians and stage buffs. But it's going to take much more than a cliché to revive the National Theatre of the Deaf (NTD), says DeafWeekly.com editor Tom Willard. Willard is a man on a mission to save NTD.
Read MoreflashBACK Friday: Communicating with the deaf/hh before video phones, texting, and TTY’s

Posted by: Staff Writer on May 31, 2013 | Comments
Communicating with deaf/hh friends prior to video phones, texting and TTY’s may be a familiar situation for some and a surprise to others. It may feel like ages ago, but it wasn’t until the mid-1980’s when TTYs were available in every deaf person’s home.
Read MoreflashBACK Friday: The Rise and Fall of WyndTell Pagers

Posted by: Staff Writer on April 25, 2013 | Comments
Designed specifically for deaf and hard of hearing people; WyndTell Pagers quickly became a revolutionary communication tool.
Read MoreflashBACK: Oral Method in Deaf Institutes (Post-Milan 1880)

Posted by: Staff Writer on March 25, 2013 | Comments
The use of Manual sign and Oralism has been in a life-long battle since the beginning of education for the Deaf. A speaker in the documentary, “Through Deaf Eyes” describes the period of Oralism in Deaf history as the ‘Dark Ages’- an era we might recall when Deaf students were forced to speak and also punished for using their natural language, American Sign Language.
Read MoreAnn Silver: Don’t (Just) Call Her The Crayon Lady

Posted by: Staff Writer on March 24, 2013 | Comments
You know you’re the grand dame of Deaf Pop Art, when your work continues to be re-invented in unexpected mediums. Just a couple weeks ago, lucky wedding guests got a taste of Ann Silver’s artwork in the form of carrot, chocolate, and chocolate/peanut butter ganache wedding cake prepared by a local Seattle pastry artist, Jeffry Kahle. The cover of her latest biography “ANN SILVER: ONE WAY, DEAF WAY” (Empyreal Press, 198 pages), topped a 3-layered creation along with the work of artists David Hockney and Robert Rauschenberg.
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